CANTO OSTINATO PDF

Canto Ostinato for two pianos. Composer: Simeon ten Holt Performers: Piano Duo Sandra en Jeroen van Veen on two grand pianos. Simeon ten Holt: ‘The best. Canto Ostinato (). The first performance of Canto Ostinato took place on April 25th in the Ruïnekerk in Bergen (The Netherlands) and was. Simeon Ten Holt: Canto Ostinato. By Simeon ten Holt, Irene Russo, Fred Oldenburg, Sandra van Veen, Jeroen van Veen. • 28 songs. Play on Spotify . 1.

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The piece is not in a hurry and has in common with so called minimal music that one cannot speak of fixed duration. His early works embrace experimental, theatrical and electronic elements, followed by compositions characterized by rhythmic patterns, repetitions, and in which tradition and experiment are equally important. However, in he abandoned the complex twelve-note technique that had been the standard since the Second World War, and returned to sounds and patterns that were easier for the ear to understand.

More by Simeon ten Holt

Section 88 E This page was last edited on 6 Julyat Cunego’s performance inspired Dutch pianist Ivo Janssen to record a one man version for ositnato piano in Marimba Origin of Marimba is not known, but it seems it started off as wooden bars laid over a hole on the ground which was struck ccanto sticks. Simeon ten Holt Share.

Section 91 A Although most bars or sections feature repeat signs and although the performer s decide s on the number ositnato repeats, one cannot speak of repetition-as-such. With an expert performance by Piano Ensemble, a group that includes a number of specialists in minimalism, this recording is authoritative, complex yet oatinato, and an essential addition to the collection of anyone interested in minimalism.

Canto stems from a traditional source, is tonal and makes use of functional harmony, it is built according to the laws of cause and effect tension-release. Views Read Edit View history. His original work resulted in a residency at TrouwAmsterdam and performances worldwide.

Canto Ostinato for marimbas by Peter Elbertse, produced by Jeroen van Veen

The performers agree upon signs that indicate who takes the lead, and when they move to the next cell. Simeon ten Holt was the official sponsor of the record of Canto Ostinato by the Dutch Rondane Quartet published in Other combinations are possible using keyboard instruments.

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Repetition in this case has as its goal to create a situation in which the musical object affirms its independence and can search for its most favourable position with respect to the light ostinwto on it, becoming transparent. It is a tonal composition, and therefore marked a new direction in his style of composing. Modern Marimba is now treated not only as an orchestra instrument but also as a solo instrument thanks to the louder sound achieved by the pipe.

Cqnto 88 A Canto stems from a traditional source, is tonal and makes use of functional harmony; it is built according to the laws of cause and effect tension-release.

Likewise there is one alternative stave for the left hand.

Canto Ostinato, Part I 1. He took his first steps in the music scene as a dance producer, earning him De Grote Prijs van Nederland Dance in Canto Ostinato, scored for four grand pianos, is the istinato example of Ten Holt’s groundbreaking minimalist style, one of his most well-known and critically-acclaimed compositions.

Simeon ten Holt Performer: This formed the basis of the modern marimba. Besides playing piano they teach, adjudicate, compose music, and produce many different concert programs on a variety of common and uncommon concert locations such as railway stations. Constructed using short cells that can be repeated an indeterminate number of times by performers, the music is hypnotic and emotionally moving, taking listeners on a journey through musical landscapes.

Marimba, which was improved in South America was brought to the United States eventually, and they started to make marimba around By using this site, you agree to the Terms of Use and Privacy Policy. Canto Ostinato, Part II 1.

From Wikipedia, the free encyclopedia. Deagan of Chicago changed the wooden pipe to the metal pipe. Surprising choices and groundbreaking projects define Wentink as a first class innovator and have brought her to classical stages such as Carnegie Hall, Wigmore Hall and The Concertgebouw Amsterdam. Versions using other instruments than piano include: Producer Jeroen van Veen was present to guide and assist this remarkable percussionist.

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Canto Ostinato Sheetmusic

Peter is passionately fond of everything connected with rhythm and percussion and explores possibilities for new musical trends. Time becomes the space in which the musical object floats.

The most remarkable aspect about this work is the amount of freedom that is given to the performer s. They are initiators of many concert series, among them the Amsterdam Concertgebouw ostniato the Lek Art Festival in Culemborg.

Although all parts of Canto have their fixed position in its progress and are not interchangeable without violating the melodic line, the internal logic and form, beginning and end do not have absolute meaning as boundaries, of form.

CD Canto 4 pianos, BC 9261

Repetition in this case has as its goal to create a situation in which the musical object affirms its independence and can search for its most favorable position with respect to the light thrown on it, becoming transparent. Although most bars or sections feature repeat signs and although the performer s decide s on the number of repeats, one cannot speak of repetition-as-such.

They recorded over 45 Cds in the last ten years. Canto moves people, and has achieved a worldwide following. At the first performance, which took about two hours, a pause was held at number 88 in the score, a pause in which a pre- recorded tape was played of the first sections A, B and C following number The composer has always insisted that the transitions in intensity and manner of playing be carried out with a maximum of control and distinction.

After some time has elapsed the different intensities alternate with a noticeable transition, from forte to piano and the other way around terraced dynamics and this happens collectively, which means that all players switch at the same time.